Goldyn Events

Q&A: Miranda Bennett of Miranda Bennett Studio

By Julia Cardi

Miranda Bennett editorial

Editorial photograph from Miranda’s website. Photo by Jackie Lee Young.

If Miranda Bennett could go back to when she was first designing clothes and tell herself one thing she wishes she’d known, she would remind herself that there’s no one right way of doing things.

Everything she learned in fashion school directed her toward working in the framework of the industry’s biggest names, with independent lines surviving on the edges of the industry. Miranda knew a highly corporate environment wasn’t for her, so her career as a designer has been defined by searching for what feels right for her, and through experience Miranda has gained confidence in the validity of her decisions.

For Miranda, finding her true north meant moving home to Austin after several years of having a clothing line in New York and checking off her career goals. She took time off and began experimenting with plant-based dyes without any pressure of what she might eventually turn the project into, and her desire to make clothing began to renew.

She’s grown the result, Miranda Bennett Studio, into a consciously produced women’s clothing line using plant dyes and all-natural fibers, produced by an all-woman team in Austin. In advance of Thursday’s trunk show at Goldyn, Miranda took time to chat about the versatility of her clothing, the importance of empowering women, and the perfect white T-shirt.

Describe the ideal person who wears the line.

I found that our customer ranges from teenagers to women in their 80s. And I think because it is a very versatile aesthetic, it really lends itself to all different kinds of people that want to style and wear these pieces in a way that makes them the focal point, or that allows them the versatility to, let’s say, wear it with a different type of accessory … in order to make it really suit who they are and what their aesthetic is.

With your current clothing line, what did you feel like was missing from lines already out there that you’re trying to fulfill with yours?

I would say it was having the versatility of a garment that could really journey with me from day to evening. For a long time when I first moved back to Austin I would ride my bike everywhere, or I did freelance work styling, which was very physical. And there was something I really was missing in the clothing that was available to me, in the sense that I couldn’t find things I could move freely in [and] do all of the different things I would do in a day, but then also feel confident to then transition into having dinner or drinks or going to an opening after work without always having the opportunity to go home and kind of hit reset.

And also just having something that I felt could be a go-to piece, no matter what my size [was] or where I was in the course of a month, or just as other parts of my life were sort of shifting around.

I had pieces that I loved from a more aspirational standpoint. But I was really hoping to see things that were super versatile without feeling too basic.

Tell me about the decision to use plant dyes and all-natural fibers.

I’ve always actually worked just with natural fibers, because for me, well, from both an aesthetic and personal preference, I like the feel, the breathability, and just the natural origin of natural fibers. I’d had a more traditional clothing line in New York, and when I moved back to Austin, which is where I’m originally from, I took time off of having my line and having any sort of commercial pressure from that project.

I got an artist studio in a place here in town, and I started to self-educate with plant-based dyes, more just from a “getting my hands back in the process” motivation.

And then as I started to work further with it, my desire to make clothing kind of re-emerged. And having the process and the ability to come up with colors that doing small-scale batch size was giving me, I found really inspiring and motivating. The idea of sort of bringing that to play in scale for a clothing collection was a very interesting and fun challenge for me to consider.

It’s definitely a challenge; it’s not the easiest thing that you can do – put dyeing to scale. It’s neither cheap nor simple, but I think the end result is really beautiful and special.

How do you resist the pressure within the fashion industry to come out with several collections per year (pre-fall, resort, pre-spring, etc.)?

My initial desire with the collection was actually not even to consider our releases in terms of the typical seasons. In a perfect world, I would just be releasing things as [the team] came up with formulas, or found a new fabric we loved, or a new style.

But for me, it’s just aligning with those two seasons has kind of been the compromise on that because we have to meet our buyers where they are and play fair with the overall system that we exist within. But we actually offer our collection to buyers in a bit of an atypical format because we produce here with a local team and can do things year-round. We give deliveries that allow to basically meet all of those different market cycles, so people that meet us at market twice a year, we’re actually delivering to them throughout the season.

Describe the perfect white T-shirt.

I struggle with T-shirts. I often find that the neck is too high, so usually if it’s me wearing it, I would just immediately be stretching the neck out with my hands or cutting the ring off altogether.

Definitely something with a lower, kind of easier neck. A really light weight, feels like it’s been washed a million times. In general, I don’t wear a lot of jersey, because I don’t like things that are clingy. So something that has a little bit of a looser, easier drape. Definitely 100 percent cotton, or I love a linen knit, if I am going to wear a knit.

mirandabennett0311_orig

Miranda Bennett (far left) and her team in Austin. Photo by Leah Muse.

What about having an all-woman team is important to you?

I was raised in the company of women – single mom, sisters. A lot of the mentors that I’ve had have been women. It wasn’t my conscious decision; it’s not that I wouldn’t hire a man.

I looked around one day, though, and I realized that just naturally that was the makeup of my team. I honestly am just blown away all the time by the strength and dynamic nature and the versatility of the women that I work with.

I think often in the workplace, women are underpaid, undervalued and are not brought up to ask for the things that men are brought up to ask for. So in another sense, this for me feels like a really exciting opportunity to empower and create positions for women.

Click here to shop Miranda Bennett Studio at Goldyn, and come by the store Thursday from 4-7 p.m. to check out even more styles and meet Miranda herself.

Designer Profile: Pamela Love

In (eager) anticipation of Pamela Love’s jewelry trunk show at Goldyn this Saturday, August 8th, my thoughts on her Instagram as major life goals, the piece I’m dying to add to my own jewelry box, and a peek at her new collection.

by Julia Cardi

Pamela Love’s Instagram page is a moodboard of serious #Lifespo, made up of tempting photos of her jewelry, interspersed with enviable travel shots to awaken anyone’s wanderlust and snaps of Pamela herself, a waifish woman with a chiseled face and intense stare made for the Instagram age.

Pamela Love. Photo: Skye Parrott

Pamela Love. Photo: Skye Parrott

But the page is more than just a beautiful edit in itself. It’s an extension of the earthy-edgy aesthetic of the Pamela Love line and paints a story of the woman who wears it – bohemian-spirited but refined, a little raw but with an affinity for the finer things, and modern and easygoing all the way through. Her pieces are at once tame enough for everyday and yet so thoughtful in their design that they’re made for a wearer who knows how to make herself feel like a million bucks.

Frida ear jacket. Photo credit: Instagram

Frida ear jacket. Photo: Instagram   (@pamelalovenyc)

For me, the piece to dream about is the Frida ear jacket. A luminous opal stud backed by three diamond-encrusted gold feathers, it’s the type of must-have showstopper to persuade me that paycheck (or several) it may take didn’t mean that much to me anyway. I don’t believe in love at first sight when it comes to men, but I’m not nearly as cynical when it comes to jewelry – Frida has me hook, line and sinker. I suspect the same story of every woman who’s taken with the line – whichever Pamela Love piece claims her heart, the infatuation is immediately gripping and deeply visceral. 


Talon cuffs

Talon cuffs. Photo: Instagram  (@pamelalovenyc)

Pamela Love’s eponymous jewelry line started out of her Brooklyn apartment in 2006, and since then has seen a meteoric rise with attention from the likes of Vanity Fair, Elle, and Interview, even snapping up the CFDA award for Accessory Design in 2013. Her passion for other art forms, such as painting and sculpture, has an osmotic influence on her jewelry, and she approaches the craft as an art form. Nature and tribal themes take center stage in her designs; arrowheads, celestial bodies, feathers, snakes and talons are some of her most prolific motifs.

Pamela’s Fall 2015 collection, titled Sueño – Spanish for “dream” – lifts themes from traditional American Southwest designs and Mexican art, particularly the work of Frida Kahlo. The eagle is one standout adornment. In Pamela’s own words, it symbolizes “strength, freedom, and supreme vision” (source: The Denver Post).

It’s this collection of dreams she brings to Goldyn this Saturday for her can’t-miss trunk show from 1-7 PM. Come for a meet-and-greet with Pamela, and of course, champagne and treats. While you’re here, get tattooed by Minka Sicklinger or Denver’s own Patrick “Fish” King from a selection of amazing custom designs, all inspired by the Sueño collection. As always, Goldyn is where the party is.

Click here to view tattoo designs available from Minka Sicklinger, and email minkasicklinger@gmail.com for an appointment. Click here for designs from Patrick “Fish” King, and email patrick@elcmens.com for appointments. Space for both artists is limited.

All photos property of Pamela Love.

Part 2 of 2: Unearthen Jewelry + OLO Fragrance

Editorial photograph featuring bestselling bullet pendant.

Editorial photograph featuring bestselling bullet pendant.

by Julia Cardi

With our joint trunk show for Unearthen Jewelry and OLO Fragrance happening at Goldyn tomorrow, July 16th, I caught Unearthen’s designer Gia Bahm for a few questions. One of the shop’s newest jewelry additions, the line already looks right at home in Goldyn with the decidedly raw aesthetic of its funky, cool-chick pieces.

With a collection ranging from bestselling bullet-and-crystal pendants to chakra pendulum necklaces filled with essential-oil fragrances, I was eager to pick the brain of the designer behind Unearthen’s visually arresting designs, and Gia did not disappoint. At the heart of her inspirations is a relatable childlike exuberance for the brilliance of the gemstones she uses; during our conversation, she often gushed in superlatives about their moving beauty. I found her enthusiasm, combined with a genuine belief in the energies inherent her materials, infectious. Below she traces her unlikely introduction into making jewelry with no formal training, her favorite stones of the moment, and why getting ripped off needn’t be a designer’s worst nightmare.

On her design process and how it influences her raw, earthy aesthetic…

I think my process of discovering how to make jewelry was a huge part of it. I’m very particular about my designs and I felt as though making everything in wax was the best way for me to have things look the way I wanted them to, rather than making them on a computer and sending them [out] and then seeing them in real life – it’s really hard for me to not have that connection of holding [something] in my hands. I’m definitely a really hands-on person.

I think also my lack of having been taught a certain way by someone really helped me to just be really creative about [the way] I would think about how something would sit in a setting. I mean, a lot of settings that we make – we have a jeweler in our studio that sets all our stones and does all of our production, basically, and she’s really unconventional as well – I’ve worked with several jewelers who just couldn’t even wrap their minds around how the stone would actually stay in the setting, because it just made no sense to them. Which is funny, because it totally works – it’s just a different way of doing [things] that wasn’t put into their minds by their training. So that’s a huge part of my process – just sitting with things and thinking about how they could be different, exciting and new; pushing the envelope in a different direction.

I really like it when things have more than one function; for instance, the pendulum necklaces that hold the perfume, the watches that have crystals on top, even the first thing [I made], the bullet with the crystal. It’s kind of been a theme that I try to think about and invent new ways to carry that idea. I love when a design can function on a number of different planes – like when something is a really cool, say, stepping stool, but it can also be a chair (laughs).

On the conception of the bullet pendant and how it led to the start of Unearthen…

Screen Shot 2015-07-15 at 5.39.08 PM

Bullet pendants

[The bullet pendant] was how I started the company. I had never really gotten into crystals that much or anything; I was a real punk rocker in high school, and then got into fashion a little bit later.

But I had a friend that was in town [in New York], and she wanted to go look at crystals for, I don’t know, her hormone balance or something. At Madison and 34th there was this little crystal store that was very fancy and really well-organized; it didn’t have that hippie-crunchie-patchouli feeling. I remember thinking it was like being in a museum, kind of. It was just totally intriguing to me…it became this really fun library that I could go to all the time. So I got really into it and would learn about things – the way the structures of the crystals formed, the different categories of barrels, ways they all can grow differently, why they’re colored certain ways because of rust or whatever sediment.

So I just started collecting [crystals]. At the store there was one set in a tube, and I thought, That could be a bullet casing. That would be trippy! [It was] exactly what I’m talking about – this duality of taking something and making it function in a different way. So I went to the army-navy surplus store and got one of those keychains I had in high school when I was a punk (laughs), and pulled out the fake bullet and put some of my crystals in there. I thought, I have to make these, so I started making them for my friends, and people really liked them.

I was at the age where I thought it was the time to start something for myself. I had two goals; I wanted to be in Barneys and I wanted Opening Ceremony to be my showroom, and both those things happened right away.

[The bullet pendant] has definitely been our biggest-selling jewelry piece still to this day, which is great considering how much it’s been knocked off and how it’s now just considered a style rather than one of my [unique] designs. At first, it was really upsetting to me because it was the only thing I had ever designed, and I felt like I wasn’t going to be able to make anything else, but then it really pushed me to think of other things, which is so important. So the watches were next, then the Prism Rings, and it just really blew up from there and expanded.

I’d love to know more about the pendulum necklaces which correspond to different chakras. Can you talk a little bit about the concept of chakras, and then also about how the different necklaces and their fragrances embody them?

I worked with another company when we made those, and she really specialized in knowing about what different essential oils went with certain chakras. So I kind of left it up to her to do that part of it.

I picked the stones based on my research – a lot of it is color-based. Your crown is a bright white color; your third eye is a purple; your throat is a soothing blue, so you could use turquoise or lapis – we’ve done both. We have amethyst as the third eye. We had selenite for a little while as the crown, but selenite’s very fragile, and now we have it as howlite. The heart one can be green, but we also like the idea of it being rose quartz, because it’s such a heart-healing stone. Then there’s your solar plexus, which is kind of a bright orangey color, and your sacral, which is red, and then your root, which is black. I think it can maybe be brown or something too – it’s just your base; your rooted chakra.

I love the throat one – I think that one’s really cool because a lot of people have a hard time communicating, and so that’s a nice one to carry with you to help you through that. Your heart [chakra] is obviously really good; people always are feeling heartbreak or trying to work on their relationships, and that’s a really nice reminder.

They’re all reminders, kind of in the same way as astrology – life is going to be what you make it, ultimately. And things can always change…So you can carry this thing with you that will remind you of that, and help you set your intention and manifest whatever it is you want in your life. So I hope the things I make help people do that. I believe that crystals are really magical things; how they’re just made in the Earth.

To clarify, the chakras have to do with balancing different energies within the body, so to speak?

Yeah, ways to strengthen them. It’s not like at all times, every chakra is having a problem. Usually you’re going through something with one of them. If you ever have anyone do work on your chakras, they’ll usually pick one, or maybe a couple; when I’ve had people do that for me it’s just been one. So it’s good to have something that will help with that one thing.

Speaking to the properties of different stones, do you have any favorite ones you like to put in your designs because of their qualities or history?

Quartz

Quartz

I love clear quartz. I think it’s so pretty; it catches light in this really beautiful way, and can look really fancy. And the way that it forms – all the little shapes of it are so cool. We have names for all [the stones], and we call [quartz] the “Mental Massage”, just because it’s for all-purpose healing. It helps you focus, or interpret your dreams; it’s just a very soothing stone.

I really love malachite. It’s really beautiful…it’s a marble-y green with white in it, that you don’t really see in any other stone.

Malachite

Malachite

Amethyst is so beautiful, especially Veracruz amethyst…that one is this really bright, clear purple. It has a quality of quartz, because it’s in the same family. It kind of grows in the same way. The stones that I’m most obsessed with right now, and also seem like they’re the most popular with everyone else, are the really sparkly ones which are so fun and gorgeously mind-blowing.

Amethyst

Amethyst

We also started making a lot of stuff with little tiny geodes that are sliced in half – it’s like a little pod, almost. It just looks like a rock on the outside, and then you slice it open and there’s tons of little sparkly crystals and all these layers of color. They remind me of being a kid and getting one from a rock store…and [discovering] a whole little world in there. Pretty much our whole new holiday collection is [things like] geodes and opals.

Editorial photograph featuring geode slices

Editorial photograph featuring geode slices

We [also] used this quartz that is enhanced with platinum. They put it into a vacuum and inject platinum into it, and it sticks to the quartz permanently and turns this really opalescent, beautiful rainbow-y white color. It’s really wild. People seem really attracted to it; it’s so sparkly and light-feeling. It’s definitely more light stones I’ve been attracted to lately, rather than the darker side of things. (chuckles)

Are there any origin stories behind specific pieces you’d like to share?

The first time I carved anything in wax was when I made the prism rings, and I had this idea that I wanted it to look like it was braided hair. I had just moved to LA and didn’t have that many good casters or contacts yet here, so I was trying to figure out how I could take some sort of reed or horsehair or [other] natural thing and braid it and have it turn out exactly the way it was in my mind. And I had to cast so many things – I even went to Jo-Ann Fabrics and went through their fake-flower aisle and picked out whatever grasses and tried to braid those. Everything just wasn’t working.

Double Mini Prism Ring in Turquoise. Click to shop at Goldyn.

Double Mini Prism Ring in turquoise. Click to shop at Goldyn.

So that’s when I thought I needed to just carve it in wax. It seemed crazy and intricate and like it would take me forever. But I got wax and I sat at the kitchen table and started carving it, and it was just the coolest feeling. I’ve never been so happy in my life…It just was there all of a sudden – exactly what I wanted it to look like in my brain, but better because it was in my hand and I was able to really see it. It was a really cool moment for me that changed everything. It’s so interesting how life is when you think something’s really hard and you’re trying all these ways around it that seem easier, but really the easiest thing is just to do it. And then to have such a great result was just such a nice affirmation.

Can you describe the type of customer who you imagine to wear your jewelry?

It’s hard for me to pinpoint age, because I have a lot of older-lady clients who are just the coolest chicks who wear Unearthen, and younger people too. But maybe 25-55 is the range we typically see.

I think it’s the kind of person that whether she might want to be married, or want to have kids, or she already has those things, she’s doing things in her own way…just someone that’s really open and artistic and doing things a little bit differently, and appreciating that – having a really savvy, refined cultural identity; well-read and well-traveled. She’s probably in a creative professional field.

Overall, she has a happy, healthy lifestyle – interested in food; if she drinks, she loves wine. Maybe she’s into gardening. I see her as not necessarily religious, but spiritual – she believes in the powers of the universe.

I think her lifestyle is also a little bit about juxtaposition. She’s affluent, but not materialistic. She’s in tune with trends, but likes to pick and choose to create her own style and resists categorization. She’ll follow the rules when they seem relevant, but when she doesn’t she does it gracefully and not just for the sake of breaking rules. She may be focused on building her nest at home, but hankers to travel. She’s mildly rebellious.

It’s fun to dream of who that person is; it’s important. It’s something we just started doing recently – I would just design things for myself, basically, or things that I just thought were interesting. It’s fun to look at it in a different way. Paloma Picasso is one of our icons, and ‘70s Cher (laughs). It’s fun to pick out those ladies that you want to embody and translate their style into the designs.

How did you first cross paths with Goldyn?

Vanessa found me, actually. We were doing the Capsule trade show and she stopped by the booth. She was already aware of the brand…and just this last season when we had private appointments, she came and was able to really look through the collection and figure out exactly what she wanted for the store. [Vanessa] seems very thoughtful and definitely has a vision for things, and it’s important to be really focused on what you think you can sell.

Stop by Goldyn tomorrow, July 16th, from 5-8PM to shop Unearthen’s stunning collection (or at least for the free champagne).

Click here to learn about the properties of different stones used in the collection.

All photos property of Unearthen.

Part 1 of 2: Unearthen Jewelry + OLO Fragrance

by Julia Cardi

In anticipation of our dual trunk show with Unearthen Jewelry and OLO Fragrance coming up at Goldyn on July 16th, I had a chat with OLO’s founder Heather Sielaff about her Portland-based line and the finer points of perfumery. Her sweet demeanor is immediately evident, and she talks about the ethereal nature of her craft with a down-to-Earth attitude and insightful clarity. Heather’s vignettes about her perfume-making are as nuanced and interesting as the art itself, so here are her tidbits about the inspirations behind her scents, why artificial chemicals don’t deserve their bad rap, and whether the perfumery process is actually glamorous.

Heather at work.

Heather at work.

How did you come to making perfumes as your craft?

I was a licensed neuromuscular therapist, and I owned a wellness center – it was in an old house, and we had acupuncture, massage, and Gyrotonics, and we had a little store on the ground floor. We sold relaxation stuff, like candles and lotions. I had taken aromatherapy – I used it in my practice – and I was making something for a customer one day, and it smelled like Froot Loops. It was an accident, you know, and it was the first time I had ever thought about essential oils in that way, how you can put something together and it makes a different smell. I was looking for a new hobby that didn’t involve physical work, so I just started playing around with the essential oils I had, and maybe six months later I had made [the scent] Nationale and was selling it and started OLO. It all kind of happened really quickly, even though I’d been using oils for a long time.

Where do you get inspiration for a new scent? How do you decide whether you want something to smell, say, girly or edgy, be for day or nighttime?

It’s always really different. Some of them are very literal – like one of them, Violet Leather, I took a Mark Twain quote, “Forgiveness is the fragrance that the violet sheds on the heel that has crushed it.” I thought about what that would smell like if I made it. So it’s a very literal interpretation of something.

Whereas, for example, I did a custom [scent] for a store and they just sent me an image board. It was all very loose; I just had to capture the essence of a place. There are certain places I’ve been to where I want to capture how I felt in the moment. Some people come to me with a very specific idea; sometimes I have ingredients that I want to use and I think about what those mean to me, and that’s where the inspiration comes from.

It sounds like there’s some synergy involved with the scents – when you mix different essential oils, the result is more than just the sum of putting them all together. So can you talk a little bit about how you go from the initial idea to the actual finished product?

It’s a lot of trial and error. Mostly, perfumery takes patience. Once you’ve been working with oils for awhile, you kind of know how things are going to work together. You still get lots of surprises, though. (chuckles) You think something really is going to work, and then you’ll add an ingredient that messes the whole thing up; it just turns it the wrong way.

Lately people have been really into fragrance and want to start doing their own, and they don’t realize it is difficult, and you have to have a lot of failures before one shows up and is good. Every perfumer has countless blends that just didn’t work out. [The process] isn’t very glamorous. (laughs)

Where did the name for the company come from?

I dreamed it. I had to come up with a name relatively quickly…I’m assuming it was my brain playing around with the word olfactory. But I did have this very specific idea of it being all caps. “OLO” didn’t mean anything to me then; I’ve been told it means a state of being, but I didn’t know that at the time.

Details of the OLO shop in Portland, OR.

How do you come up with names for the fragrances, the ones that aren’t a literal description of the scents themselves?

For example, Erastus – in the oldest cemetery in Portland, Lone Fir Cemetery, I saw a tombstone with the name “Erastus” on it, and I just thought about the name and how you don’t hear it anymore. He had died in 1830 or so, and I was thinking how he was probably a lumberjack or something; he probably smoked and drank a lot – [the fragrance] Erastus is tobacco and whiskey. That tombstone is where the idea came from. But they’re all very willy-nilly.

Do you have any insights as to why scents can smell so different on different people?

There are certain perfumes, depending on what the ingredients are, that don’t change that much; they really stand alone. But I think it’s diet; I think some people’s pheromones really come out more strongly than others; some people sweat more than others. People don’t perceive pheromones consciously, I don’t think, but they’re there, and they make a huge difference. Your detergent, your lotion, where you are environmentally – I think it’s a lot of different factors.

Why is it that a fragrance changes over time, as you wear it?

It’s about the sizes of molecules – they burn off at different rates. So, for example, a citrus has a very small molecule, so that’s the first thing you smell, but it’s the thing that’ll go away the fastest. Whereas a floral or a spice maybe comes in later – the medium-sized molecules. The base, what you’re left with, are the larger molecules. Something like a wood has a large molecule, so it’s going to stay longer, since it takes [more time] to break apart.

And there are certain fixatives you can use in a fragrance to make something stay longer; I just don’t typically use them. I’m not a big citrus person, so I don’t like those top notes really.

Those fixatives are artificial chemicals?

Yeah. And the whole natural-versus-synthetic argument gets tossed around, but there are reasons to use synthetics. For example, bergamot is phototoxic, so you want to use a synthetic or find bergapten-free oil because otherwise it would burn the skin.

There are trace amounts of synthetics in my line. I don’t use a real animal musk…because you don’t want to use a real ambergris or civet. But I don’t use strong aldehydes or phthalates. It’s not because I disagree with the use of them; I personally just don’t like them. [Artificial] isn’t bad or good, it’s just different.

Inside the shop.

Going back to OLO, what do you envision for the growth of your line in the next few years?

My husband just quit his job to come work for [the brand] because it had grown so much – it started in 2009 with the $200 I invested, and now we’ve opened a store and everything. He’s learning perfumery as well, so he’s going to take over some of the newer lines we’re going to come out with, or we’ll collaborate.

So we’re just going to focus more on our line – the store and online stuff. We’ll still sell wholesale and pick up some new accounts. We’re approached by Urban Outfitters and Anthropologie and stores like that all the time, but we’re not interested in being everywhere. I feel like it’s short-sighted; boutiques work really hard to get something special for people. Everybody’s trying to find something that no one else has, and it’s getting harder and harder. I mean, I feel like I sell in a ton of places, but I’m trying to keep it to just boutiques.

And a lot of our customers are artists and musicians, so we’re collaborating more with installation pieces and fragrances that are somehow involved in a musician’s ethos – we just did something with Liz Harris where she burned our incense while she played a show…OLO’s rolling along – people are buying it, it’s established, so we can start playing around with fun stuff [like that].

Click here to shop Goldyn’s selection of OLO fragrances. To try out more of the line, you’ll just have to stop by the joint trunk show with Unearthen Jewelry on July 16th. See you there!

Thursday, June 4th: Fine-Jewelry Trunk Show from Selin Kent

by Julia Cardi

Our grown-up love of shiny things gets put to the test this Thursday, June 4th with Selin Kent’s trunk show at Goldyn. Stop by from 5-8pm for sips, nibbles, and an array of decadent baubles. Since launching her namesake jewelry line in 2013, Selin has expanded from rings and earrings into creating necklaces and bracelets, for a prolific portfolio with as much minimalistic, architectural feel and cool-girl cred as her first collection.

A proud owner of the Koko and Eva rings, along with the Charlotte mini studs in black gold and diamonds, I have a still-growing collection of Selin’s pieces that has become as ubiquitous to my every day as leaving the house with my wallet and keys. Though sliding on the rings often happens while dashing out the door because I’m always late, it still has a ritualistic feeling, like I’m suiting up in armor to take on the day. The pieces have become more than just a part of every outfit; as with all special jewelry, they’re an extension of me. So I invite you to come by Thursday to find that missing part of you.

Click here to shop Goldyn’s current selection of Selin Kent pieces. But come Thursday, there will be so much more to drool over!

Goldyn’s Naughty/Nice 2013 Gift Guide

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Goldyn’s gift guide for the 2013 holiday season is packed with decadent must-haves perfect for the fashionista, jewelry addict, or laid-back stylish guy in your life. There are only 2 weeks left until Christmas, so stop procrastinating and snap up some gorgeous giftables from Selin Kent, The Woods, Helmut Lang, Vince and more. While you’re at it, add a few things to your own “pretty please?” list. We know how nice you’ve been this year.

In Case You Missed Them: Ironwood x Goldyn & Mile High Style for The Woods

Thanks to everyone who has come to our recent events at the store and helped make them amazing nights. Check out some of our favorite pictures below!

Thursday, November 21: Mile High Style for The Woods

Boulder-based style consultant Liz Finkelstein of Mile High Style hosted a trunk show for The Woods Fine Jewelry with a show-stopping selection of statement pieces. We had a great turnout despite the frigid weather, and the hors d’oeuvres from Coohills Restaurant and cocktails made by Liz herself were fabulous, of course.

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Thursday, November 14: Ironwood x Goldyn launch party

Eye-catching home wares from Ironwood make great gift ideas for the holidays. The collection is still on display at Goldyn, so come shop the pop-up store and check out the gorgeous, unique window display.

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In Case You Missed It: “Crowns” Look Book Opening at Goldyn

The launch party of Goldyn and Kristen Hatgi Sink’s look book collaboration, “Crowns”, at the store was the place to see and be seen last Thursday night. A gilded window installation by Kristen herself, mouthwatering hors d’oeuvres from Coohills Restaurant, and paper crowns (also by Kristen) for the partygoers made for an incredibly chic night. Shout-out to The Scout Guide of Denver for making the party happen! Check out pictures from the event below, and see the full gallery here. Also see the full look book here.

Window installation at Goldyn for the launch with hand-painted leaves.

Window installation at Goldyn for the launch with real leaves hand-painted by Kristen.

Display of lookbooks and prints, including real leaves hand-painted by Kristen.

Display of look books and prints, including hand-painted leaves.

Kristen Hatgi Sink with Goldyn founder & owner Vanessa Barcus.

Kristen Hatgi Sink with Goldyn founder & owner Vanessa Barcus.

Paper crowns made by Kristen for partygoers.

Paper crowns made by Kristen for partygoers.

–PHOTOS: KRISTEN HATGI PHOTOGRAPHY/HATGI SINK STUDIOS–